The metadata that links your audio file to your r3d file is fragile and prone to breaking if footage is moved to another system or folder. There are a few downsides to using Redcine-X. You pop open Redcine-X and get to work manually syncing audio for dailies, a process that is time consuming but relatively painless. Imagine this scenario: you have 4 channels of production audio with timecode that does not match the camera footage. One of those jobs includes syncing audio. As much as we DITs try to avoid it, on smaller productions we are sometimes tasked with duties traditionally done by an assistant editor.
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